Bottle Rocket, Wes Anderson's first film, is getting the Criterion treatment in both DVD and Blu-ray formats. Lovely cover. (via goldenfiddle)
A YouTube video of Wes Anderson and Jason Schwartzman shopping at Borders for CDs and DVDs. It's as painful as it sounds. (via fimoculous)
A comparison of Owen Wilson's roles in Wes Anderson films and his real-life goings-on.
Mapping the idea of "life imitating art" onto Owen Wilson's biography and Wes Anderson's films reveals their startling convergence. As Anderson's works increasingly addressed themes of depression, psychiatric treatment, and "hitting bottom," so too did Wilson's life chart a course towards collapse. Wilson's characters in Anderson's early films-the sublime geniuses born of commingling depression, emotion and creativity-gradually give way to caricatured objects of psychoanalytic explication.
Wes Anderson and the movies he makes are racist. Point. Point. Counterpoint. Reminds me of the hubbub about the alleged racism in Sofia Coppola's Lost in Translation.
@ the movies
The Darjeeling Limited
The Darjeeling Limited is the first Wes Anderson movie since Rushmore that I've really liked after seeing it for the first time. The Royal Tenenbaums and The Life Aquatic both took another viewing (and now I love them both).
Two more Wes Anderson/Dareeling things and then I think we're done for awhile. Marc Jacobs created the luggage and the fashion "look" for Darjeeling:
The result is a large set of tawny luggage and a trio of suits with matching back belts and angled cuffs for the three main characters, played by onscreen brothers Owen Wilson, Adrien Brody and Jason Schwartzman. Once again, as in Anderson's previous films like "Rushmore" and "The Royal Tenenbaums," the cast wears one look throughout the film. "I like actors to have costumes that help them to get into character," says Anderson. "Whether it's a good idea or not, I tend to give them uniforms."
See also How to Dress Like a Tenenbaum from Esquire in 2002. The Onion A/V Club recently interviewed Anderson. His response near the end about his commercial work is interesting.
As promised, a list of films that were influenced by Wes Anderson, including Little Miss Sunshine, Napoleon Dynamite, and Garden State.
The Onion AV Club tracks which films and directors have had the most influence on Wes Anderson, including The Graduate, Peter Bogdanovich, and Francois Truffaut.
The "uniforms" he outfits his characters in are like a variation on Charlie Brown's zigzag shirt and Lucy's blue dress, and there's an atmosphere of wistful melancholy common to Peanuts cartoons and Anderson's seriocomedies. A Boy Named Charlie Brown echoes Anderson's persistent "sic transit gloria" theme, as Charlie Brown blazes through the rounds of a local spelling bee, then washes out at the nationals. When he returns home to a group of friends who accept him as much as they mock him, he might as well be walking in slow motion, while "Ooh La La" plays on the soundtrack.
And today they're going to run a list of films which were influenced by Anderson...I'll have that link a bit later.
Hotel Chevalier, the short film by Wes Anderson that takes place before the action in The Darjeeling Limited, is available at the iTunes Music Store for free.
New York magazine takes Wes Anderson's spiritual temperature on the eve of the release of The Darjeeling Limited, his fifth film.
That we happen to be traveling by train to discuss a movie that takes place on a train was not part of the original plan, though I'm starting to think of it as yet another example of Anderson's knack for retouching reality with an idiosyncratic gloss. (It may be connected to his fear of flying as well; until recently, Anderson traveled to Europe by boat, and he far prefers trains and automobiles to anything airborne.) Also somewhat peculiar is the fact that buried in one of Anderson's monogrammed suitcases is 10,000 euros in cash -- about $14,000 -- an amount that may or may not be legal to carry, and that was given to the director by Bill Murray, who asked that the money be "delivered to Luigi."
Wes Anderson is promoting The Darjeeling Limited by releasing a 13-minute teaser film called Hotel Chevalier on the web before Darjeeling opens in theaters. Three words: Natalie Portman nude. Portman, Anderson, and Jason Schwartzman will be at the Apple Store in NYC to premiere the short. If you go, expect a freakin' mob scene of twee hipster horndogs.
Update: New Wes Anderson Film Features Deadpan Delivery, Meticulous Art Direction, Characters With Father Issues. Completely unexpected.
Ted Z at Big Screen Little Screen got his mitts on a copy of a script for Wes Anderson's The Darjeeling Limited from May 2006. "I have serious reservations regarding how far Wes Anderson can take this twee-filmmaking before the rut is too worn to dig himself out."
The review of the Criterion DVD of Rushmore I posted yesterday mentioned a NY Times article written by Wes Anderson about him screening Rushmore for legendary film critic Pauline Kael. The original is behind the Times paywall, but a Clusterflock commenter posted a copy. After reading it, I don't get the hostility that other film critics directed at Anderson because of it.
Thoughtful review of the Criterion version of Rushmore. "Anderson also serves as a convenient target for people who don't like people who like movies by Wes Anderson. [...] When you get past the extraneous bullshit surrounding Anderson's films, the crux of disagreements about him reminds me of disagreements over David Foster Wallace (or Dave Eggers, or Thomas Pynchon, or even Vladimir Nabokov). It comes down to this: Are Anderson's stylistic tricks and distracting plot elements smoke and mirrors, or do they bring something unique to the stories he's telling? In the case of Rushmore, I think the answer has to be the latter." I get the feeling you could learn a lot about film by reading Matthew's reviews of the Criterion Collection.
Update on The Darjeeling Limited, Wes Anderson's new film starring Anderson regulars Bill Murray, Owen Wilson, and Jason Schwartzman. Apparently this article confirms the rumors that Bill Murray is in the film. (via goldenfiddle)
From what looks like an informative and insightful blog on film, two posts: one on planimetric composition or "mug-shot framing" in films (you may have seen Wes Anderson using it) and the other is an update on The Hobbit movie and Peter Jackson's involvement (or lack thereof) with it. The Hobbit item is old news, but it fills in so many blanks left by traditional and typical online media coverage that it's worth the read if you're at all interested in the subject. (thx, ajit)
Wes Anderson's new film (after The Fantastic Mr. Fox) will be called The Darjeeling Limited. Anderson, Roman Coppola, and Jason Schwartzman are writing it, with Owen Wilson, Adrien Brody, and Schwartzman to star.
Why does it take Wes Anderson (and Sofia Coppola and Spike Jonze and PT Anderson and...) so long to make a movie? "The Eccentrics seem to be guarding their personal ideas so jealously that it sometimes suggests a creative block. The eternity of anticipation has frustrated those film lovers who look to certain artists to provide the Great American Movie." Slate also has a review of Wes Anderson's great Amex commerical.
Is Owen Wilson the secret factor to Wes Anderson's success?. I'm of the opinion that The Life Aquatic didn't suck, but I can see the point here.
