Steven Heller spoke with the designer Sol Sender about his iconic Obama "O" logo.
Well, the "O" was the identity for the Obama '08 campaign and the campaign is over. That doesn't mean that the mark will be forgotten; I think the memorabilia from this campaign will have a long shelf life and will stand as a visible symbol of pride for people who supported the candidate and for those who see it as a representation of a watershed moment for our country. As far as having another life, I can't say. Perhaps the 2012 campaign will hark back to it in some way.
Sender's web site has a bit more info on the development of the Obama brand.
What do I think about the new Pepsi logo? Eh. Companies spend way too much time, effort, and money building up feelings about logos -- like decades and billions of dollars -- and then they just go and change it all. Of course the new logo and colors are similar to the old ones and it's variations on a theme but the new designs feel like someone's idea of what packaging is going to look like 10 years from now, an approach that never seems to work out well (see Back to the Future II). Coca-Cola had such success refreshing their brand with a simple take on their classic look and logo, why can't Pepsi do the same with this classic look?
Photos of 99 different ecstasy pills with logos on them, including those with McDonald's, Mercedes, MTV, Harry Potter, and Apple logos.
The huge media conglomerates are re-imagining their cash-cow brands like Mickey Mouse, Bugs Bunny, and Strawberry Shortcake for today's generation of kids. Poochie, anyone?
You want a dark, Goth version of Tweety Bird? Have at it.
This isn't going to end well.
From an article in Monocle about the Baselworld watch fair.
Swiss watch brands are patriotic to a fault. Rolex is one of the few high-end manufacturers that does not stamp "Swiss Made" on the watch face in the belief that Rolex defines Switzerland rather than the other way around.
Now *that's* a brand.
Brand Tags asks people what they think of in association with particular brands and then the results are displayed as tag clouds. For instance, Playboy, Nike, Apple, and MTV. See also Celeb Tags.
What I Learned Today asked an interesting question on Friday:
What is the fastest "0 to global" brand? Basically, what brand (company, product, person, any entity that holds a brand identity) do you think gained awareness the fastest. Reblog your answer, if you're so inclined. TBC Monday (taking a snowboard trip to Stowe this weekend).
Tumblr doesn't allow comments, so let's open them up here. What's your best guess?
Color Matters examines four legal battles over color trademark infringement in packaging and branding, each decided by a test of "color functionality."
The U.S. courts denied Ambrit's request for protection of blue, on the basis that royal blue when used to package frozen desserts was functional and could not be monopolized in a trademark. The ruling stated "Royal blue is a 'cool color;' it is suggestive of coldness and used by a multitude of ice cream and frozen dessert producers." Although the ruling acknowledged the issue of protecting the consumer from confusion, preventing a monopoly of a functional color was a greater issue.
(via CG Explorer)
Now you can buy a house modeled after one of Martha Stewart's three houses. People love these houses so much that sales are bucking the downturn in new home sales. Says a representative for the company building the homes: "It's our version of the iPhone. It illustrates the power of something different with a brand tied to it."
On brand indentities that are flexible (vs. those that are static). Examples: Google's logo, Target's bullseye, and Saks' jumbly identity. "As advertising agencies lose their grip on the communications channels, the logos are starting to come out of the corner. Once pushed as far over to the bottom right as possible, they're becoming central to communication, no longer content to just be the the full-stop at the end of a piece of branded communication." (via quipsologies)
A rare positive review from Speak Up of the new London 2012 that everyone else in the world seems to hate. "I believe, despite any ensuing boo's, that this is some of the most innovative and daring identity work we have seen in this new millennium, and the lack of cheesy and imagination-impairing gradients gives me hope that identity work can still be resurrected on a larger scale."
Update: Coudal loves the logo.
Mocketing: making fun of your product or brand in order to sell the product and build the brand. Found out about mocketing from this Book Design Review post on a book called Unmarketable.
I feel like I've linked to this before but here it is again (maybe): a list of how companies got their names. "Mattel - a portmanteau of the founders names Harold 'Matt' Matson and Elliot Handler." (via khoi)
Instead of giving out wasteful schwag bags and tshirts that no one wears, the Interesting 2007 conference is asking participants to provide their own used tshirts (they'll screenprint the logo on it) and will be using plain old plastic bags with the conference logo screenprinted on them. What a great twist on recycling. (via bbj)
The mid-2000s may be seen in the future as not such a fantastic time for logo design. One further piece of evidence: the what-were-they-thinking? new design for the Dairy Queen logo. "[The] gold and blue curved swishes [signify] food and treats." Don't know about you, but that blue swish make me want to cram ice cream down my treat-hole!
Zombie brands: products that were discontinued but then come back to life. Examples: Tab, McRib, and Life magazine. More on zombie brands.
A list of well-know logos & brands and their design histories.
Update: I took out the link because several people told me that the site I was linking to has a history of taking other's content and passing it off as their own.
Food manufacturers are greenwashing their packaging, using homey organic colors and themes to sell food that isn't even necessarily organic or healthy. "Start with a gentle image of a field or a farm to suggest an ample harvest gathered by an honest, hard-working family. To that end, strangely oversize vegetables or fruits are good. If they are dew-kissed and nestled in a basket, all the better. A little red tractor is O.K. Pesticide tanks and rows of immigrant farm laborers bent over in the hot sun are not."
A look at Saks Fifth Avenue's new logo and identity. The identity system consists of cutting up the logo into patterns....98,137,610,226,945,526,221,323,127,451,938,506, 431,029,735,326,490,840,972,261,848,186,538, 906,070,058,088,365,083,852,800,000,000,000 possible patterns.
The Max Planck Institute of Molecular Cell Biology and Genetics has a logo that changes every time it gets used on letterhead or displayed on a web site. The logo system was designed by Michael Schmitz and is based on cellular automata like John Conway's Game of Life. "Parameters [for the logo] are coupled to certain factors: number of employees = density, funding = speed, number of publications = activity. Different logos are being 'bred' and then picked by fitness in relation to the parameters or voted for by the employees." Schmitz's PDF document Evolving Logo is worth a look even if you don't read German. (Anyone want to do a translation? It looks fascinating.) (via bbj)
Deron Bauman on design language: "What I am beginning to suspect however is that contemporary designers are spending more time creating products that reflect the design language of the brand than are perpetuating beauty. For instance, it seems more important to create a car that looks like a Pontiac than to create a Pontiac that is beautiful."
On the perfection of Tiffany's "little blue box" and how other luxury labels have failed to follow its seductive packaging lead. While Apple isn't strictly a luxury brand (they're more of an everyday luxury brand like Ikea or Muji...the luxury of well-designed items but without the price), but they definitely pay a lot of attention to their packaging. (via nickbaum)
Speaking of brand genericide, Heroin was actually a brand name trademarked by the Bayer drug company. (thx chris, who joked, "Can I interest you in some Heroin brand morphine substitute?")
Harris Interactive recently released a list of products ranked by brand equity, a measure of the brand's popularity with US consumers. Here's the top 10:
1. Reynolds Wrap Aluminum Foil
2. Ziploc Food Bags
3. Hershey's Milk Chocolate Candy Bars
4. Kleenex Facial Tissues
5. Clorox Bleach
6. WD-40 Spray Lubricant
7. Heinz Ketchup
8. Ziploc Containers
9. Windex Glass Cleaner
10. Campbell's Soups
Marketing can be a double-edged sword. The companies who manufacture these products have done a fantastic job in marketing these products, so fantastic in some cases that the brand name is in danger of becoming a genericized trademark. From the list above, I routinely use Ziploc, Kleenex, WD-40, and Windex to refer to the generic versions of those products, even though we sometimes use Glad products instead of Ziploc, Puffs instead of Kleenex, or another glass cleaner instead of Windex. If the companies on this list aren't careful, they could lose the trademarked products that they've worked so hard to market so successfully.
Here's a list of American proprietary eponyms, or brand names that have fallen into general use. Some of the names on the list are so old or in such common use (escalator, popsicle) that I didn't even know they had been brands. Two current brands I can think of that might be in danger of genericide: iPod and Google. (via rw)
The history of the NBA logo...and yes, that's Jerry West. (via th)
Some big brands like Coke, McDonald's, and Disney are growing more unpopular with "global teens". "What applies to young people is 'Did it break? And did my friends say it was cool?' [It's an] opinion process that goes on through IMs and text-messaging, and it applies to everything from movies to cargo pants." (thx, stan)
A grid of logos of Web 2.0 companies. These names sound like a bunch of companies that make children's toys (which when you think about it, isn't too far from the truth).
Update: Original here.
Scott Nelson produces a "tribute brand" called MIKE that's an homage to Michael Jordan, Nike branding, and shoes. After looking at his products (photos and interviews here and here), I'm amazed Nike hasn't sued him back to the Stone Age. Nelson's site is mike23.com.
Kodak has themselves a new logo and gosh it looks plain and boring and undistinctive. Who are the folks convincing companies like Intel and Kodak that these logo/brand overhauls are going to revitalize their companies? Revitalization is a hard business...a new coat of paint isn't going to cut it.
Update: More on Kodak's new logo at Speak Up.
Intel is retiring the "Intel Inside" saying/logo and is getting a new company logo as well...no more of the familiar "dropped e" logo. Now they'll look like everyone else.
Story on Muji, the brandless Japanese retailer that has high brand recognition and customer loyalty. (Say wha?) I've got a few Muji things and love them.
Examination of how US states brand themselves, focusing on state logos, license plates, and slogans.
