The speech accent archive uniformly presents a large set of speech samples from a variety of language backgrounds. Native and non-native speakers of English read the same paragraph and are carefully transcribed. The archive is used by people who wish to compare and analyze the accents of different English speakers.
Another great-but-disturbing episode of This American Life: The Ghost of Bobby Dunbar.
Host Ira Glass plays the song "Mystery of the Dunbar's Child" by Richard "Rabbit" Brown. It describes Bobby Dunbar's disappearance and recovery and the trial of his kidnapper, all of which was front page news from 1912 to 1914. Almost a century after it happened, Bobby Dunbar's granddaughter, Margaret Dunbar Cutright, was looking into her grandfather's disappearance and found that the truth was actually more interesting than the legend. And a lot more troubling.
This one's not as good as the switched at birth episode (which was amazing) but is still well worth a listen. (All this also reminds me a bit of Don Draper's pre-Sterling Cooper life.)
I just finished listening to this amazing episode of This American Life about two babies who were switched at birth and didn't find out FOR MORE THAN FORTY YEARS even though one of the mothers knew all along.
On a summer day in 1951, two baby girls were born in a hospital in small-town Wisconsin. The infants were accidentally switched, and went home with the wrong families. One of the mothers realized the mistake but chose to keep quiet. Until the day, more than 40 years later, when she decided to tell both daughters what happened. How the truth changed two families' lives -- and how it didn't.
The worst part about the whole thing is that the mother that knew, Mrs. Miller, always treated her non-biological daughter differently, like she wasn't really a full part of the family. The Millers sound like awful people.
I linked to Hands on a Hard Body yesterday. If you need a little extra prodding to watch it, check out the first segment of this old episode of This American Life.
We hear a long interview with Benny Perkins, who won the truck one year and was back the year they made their film to try to win again. He says a contest like this is not easy money. You slowly go crazy from sleep deprivation.
RealScoop's software analyzes statements made by public figures in audio or video and plots the results on a scale of believability that runs from believable to highly questionable.
RealScoop uses advanced emotion-based voice analysis technology to rate the believability of people's statements.
For instance, here's Michael Vick apologizing for holding dog fights, Eliot Spitzer resigning the governorship of NY, and Bill Clinton's infamous "I did not have sexual relations with that woman" statement. The Clinton audio and associated metering is really pretty good...it spikes in all the right places. (thx, john)
This a bit old but the dude that runs the stylish cameron i/o site (who is coincidentially named Cameron) built a trumpet-like bell for the iPhone out of a used toilet paper tube.
I wanted to listen to my music in the shower but the iPhone's speaker would get lost in the noise from the shower. So I directed the iPhone's audio straight towards me. Worked pretty well. Just ask my neighbors.
The recent discovery of a phonautogram by Édouard-Léon Scott de Martinville may be the earliest recording of sound in the world, predating that of Thomas Edison by almost 20 years.
Scott is in many ways an unlikely hero of recorded sound. Born in Paris in 1817, he was a man of letters, not a scientist, who worked in the printing trade and as a librarian. He published a book on the history of shorthand, and evidently viewed sound recording as an extension of stenography. In a self-published memoir in 1878, he railed against Edison for "appropriating" his methods and misconstruing the purpose of recording technology. The goal, Scott argued, was not sound reproduction, but "writing speech, which is what the word phonograph means."
Five great audio illusions. (thx, marshall)
Some cultures use whistling languages to communicate when regular speech becomes ineffective over large distances. From Wikipedia:
Whistled languages are normally found in locations with difficult mountainous terrain, slow or difficult communication, low population density and/or scattered settlements, and other isolating features such as shepherding and cultivation of hillsides. The main advantage of whistling speech is that it allows the speaker to cover much larger distances (typically 1 - 2 km but up to 5 km) than ordinary speech, without the strain (and lesser range) of shouting. The long range of whistling is enhanced by the terrain found in areas where whistled languages are used.
Here's an mp3 of two men communicating via whistling. It sounds very much like R2-D2.
Quick hitter from Radiolab as a preview of the new season: composer David Lang talks about a piece of music he made for a morgue. Appropriate listening for the crappy rainy day here in NYC. Hopefully the weather will be better for Radiolab's live premiere of their fourth season on Feb 21 at the Angelika.
Speaking of podcasts, The New Yorker has a couple of interesting ones on iTunes: readings from the Fiction section and from the weekly Comment essay in Talk of the Town.
New York Works is an audio portrait of a vanishing city. From a knife sharpener who still makes house calls to one of Brooklyn's last commercial fisherman, New York Works tells the stories of those who keep the city's past alive.
(thx, paolo)
"I Was Walkin' Along The Street"
I've gotten totally re-obsessed with Kathy Acker, the East Village writer who died in 1997. It started with this recording of Acker reading a poem [Warning: audio, 2 minutes, 28 seconds, and not really safe for work!] that was released in 1980 on the LP "Sugar, Alcohol & Meat" by Giorno Poetry Systems and recently digitized by UbuWeb. Her New York accent is one that has largely disappeared since; she sounds amazing. Then I found this, which is an incredibly long mp3, the first 3/4s of which is a Michael Brownstein reading. The end, though, is a monologue which then becomes a stageplay by Acker about a woman, her suicide, her grandmother, and her psychiatrist. It is absolutely not safe for work, what with its endless use of a certain word for ladyparts that goes over well in Scotland but not at all (yet!) in the U.S.
The Sound of Young America's Jesse Thorn interviews Wendell Pierce and Andre Royo, who play The Bunk and Bubbles on The Wire. (thx, jesse)
Barnes & Noble's Media section is filling out nicely with audio and video interviews, readings, and conversations with a wide range of interesting authors.
Radio interview with Felicia Pearson, who plays Snoop on The Wire. It's apparent from the interview that she doesn't so much act in The Wire as play herself. "I have patience." (thx, adam)
What did Bill Murray whisper into Scarlett Johansson's ear at the end of Lost in Translation? Someone did a bit of audio analysis and posted their findings as a video. (via avenues)
Ten incredible sound recordings, including those of a castrato (a man who was forcibly castrated so that he would retain his boyish soprano), the first recorded human voice from 1878, and the last 30 minutes of audio from the Jonestown Massacre.
Influential Italian filmmaker Michelangelo Antonioni listens to the sounds of Manhattan waking up in the morning. "The sheets of metal. A short clatter, like gunfire. A train passes, perhaps the elevated. A peal, prolonged, and then the siren, abrupt. Gone. The sounds change in a moment, they arise and die again immediately. The hum reasserts itself, advancing like a camouflaged army, approaches, closes in, on the alert, ready to take over completely." The hum reasserts. I hear that one all the time as traffic ebbs and flows outside our apartment.
Speaking of George Saunders, KQED has audio of him reading a selection from The Braindead Megaphone.
These audio clips from the World Livestock Auctioneer Championships are fun to listen to. The newest ones have the best audio quality. (thx, mlarson)
FindSounds is a search engine for sounds. Here's a collection of bee sounds. Bzzzz....
Recent Chris Ware talk
A friend of mine who works at the University of Nebraska-Lincoln emailed to let me know that they've posted both audio and video of a talk that Chris Ware gave at the school last week. If you're short on time, the real meat of the video starts around 18:30 when Ware starts a slideshow that delves into his process. In addition to his series of Thanksgiving-themed New Yorker covers from last year, he also talks about some of his other work, including Rusty Brown and the strip he did for the NY Times Magazine.
Quick little article on Bernie Krause, who is compiling a database of animal sounds from habitats around the world. I heard Krause speak at the first Foo Camp and his was one of the most interesting talks I've heard at a conference. "Krause noticed that birds who settled in compromised habitats -- logged-over second-growth forests, for instance -- encountered unexpected vocal competitors from other species and found their mating songs masked. Warblers that failed to find unoccupied [audio] bandwidth failed to breed, Krause observed, eventually convincing him of the validity of his niche hypothesis, the contention that animals evolve to fill vocal niches to best be heard by potential mates." (via tim o'reilly)
Reagrding the 70-hour unabridged War and Peace audiobook I posted about back in December, the Washington Post has a short profile of the audiobook's reader, Neville Jason. "But if the world has ever been ready for nearly three straight days of recorded Tolstoy it's ready now. A few years ago, publishers had to beg retailers to stock audiobooks longer than three CDs. Now, that's considered an ear snack. Unabridged is king. And abridged isn't just on the wane. It's basically stigmatized." (thx, mr. d)
Long audio interview with Michael Lewis by economist Russ Roberts on "the hidden economics of baseball and football". "Michael Lewis talks about the economics of sports -- the financial and decision-making side of baseball and football -- using the insights from his bestselling books on baseball and football: Moneyball and The Blind Side. Along the way he discusses the implications of Moneyball for the movie business and other industries, the peculiar ways that Moneyball influenced the strategies of baseball teams, the corruption of college football, and the challenge and tragedy of kids who live on the streets with little education or prospects for success."
Long but great NPR interview with Ed Burns, writer and producer of The Wire. We just finished season 4 last night and it took the stuffing right out of me. I haven't been this depressed for months. (thx to the several people who recommended this)
New modes of production result in new forms of media, not always
Before YouTube and Google Video came along, video on the web often suffered from taking too many cues from the production values of traditional media. Even in the early days of YouTube, a typical video made by someone for an audience was like a mini-movie: 15 seconds of titles, followed by 10 seconds of the actual content of the video, and then 10 seconds of closing credits. Eventually, many people came to realize that all that crap at the beginning and end was unecessary...it's OK not to have a 40 second video if you only have 10 seconds of something to say. Ze Frank took this notion to the extreme; he often launches right into something at the beginning, eschews transitions, and he just stops at the end. If an episode of The Show is 2 minutes long, it's because he has 2 minutes of something to say.
Podcasters have been slower to break out of the mold provided by talk radio. The playing of music before segments and as transitions between segments makes some sense on the radio, where it's used in some cases to fill airtime. But for podcasts, there's no need to fill airtime with anything but content. 30 seconds of music before the actual podcast begins is the audio equivalent of Flash splash pages on web sites. For instance, the Diggnation podcast has 10 seconds of ads and 30 seconds of theme music before the hosts start talking and even then it's more than a minute before there's any new information. It's important to set expectations and the mood (also know as branding), but it's possible to do that in a much more economical way -- something more akin to the Windows startup sound + "hi this is [name] from [name of show] and let's get started" -- or at other times during the podcast.
Interestingly, when I was looking around for examples of this wasted airtime, the folks making the most economical use of the listener's time in producing podcasts were from the mainstream media. That is, the people innovating on the form are not the same as those who are innovating on production. Perhaps in an attempt to seem more credible, native podcasters have embraced more traditional forms while those with experience producing audio content for other media are more free to tailor their content to the new medium.
Great little interview with professional rock, paper, scissors player, Jason Simmons. "The game started long before we actually threw the first throw." (via sippey)
Lengthy radio interview with Michael Lewis about The Blind Side. Available in RealAudio and MP3 formats. (thx, steve)
Profile of Walter Werzowa, the man responsible for the Intel Inside theme. More here about tiny music makers, including the Windows 95 startup sound by Brian Eno, the THX theme, and the Mac startup sound.
The Dr. Strangelove DVD has this clip on it (or something very similar): an audio recording of Peter Sellers seamlessly transitioning from one British accent to the next. (via clusterflock)
The International Dialects of English Archive has a ton of mp3 files of people speaking English from all over the world. "All recordings are in English, are of native speakers, and you will find both English language dialects and English spoken in the accents of other languages."
Audio versions of dozens of New Yorker articles. Perfect for the long morning commute (if I had a long morning commute). The same site also has audio versions of several other publications, including Wired, The Atlantic Monthly, and Scientific American. What a great resource. (via rw)
Update: Get them all at once, instructions here.
MP3 audio of notable moments in history, including Apollo 13's "Houston, we have a problem", Albert Einstein explaining e-mc^2, and, uh, Al Pacino from Scarface. (via cyn-c)
NPR interview with David Remnick. Here's a newly-released collection of his recent writing, which includes his interview with Al Gore.
Some podcasts are available from Core's Design 2.0 conference held in NYC back in February. The next conference is in SF in June.
Cheese by Hand is a project by Michael Claypool and Sasha Davies to "capture the experience of cheesemakers around the country, in their own voices, and share them with consumers and cheese fans everywhere". Jasper Hill Farms cheese = great; audio about JHF approach to cheese, even better. (via megnut, who, if you haven't noticed, is blogging up a storm about food lately)
The Edge has a transcript and an mp3 recording of an event called The Selfish Gene: Thirty Years On. The speakers include Daniel Dennett and Richard Dawkins.
NPR report on The Elder Wisdom Circle, a group of seniors who use the combined wisdom of their ages to help people who write in with questions. What a nice idea. I love the response to the first letter..."if she really was serious about you, boy, oh boy, she would be running to the court to get a separation and divorce". Here's the EWC web site. (thx, jeff)
Super Mario sound effects. (via alice)
How do audiobook producers deal with things like footnotes, photos, interesting punctuation, and the like? "The voice manipulation, for which audiobook producer John Runnette used a 'phone filter' -- a voice-through-the-receiver effect used in radio dramas -- was an attempt to aurally convey Mr. Wallace's discursive, densely footnoted prose." Includes sample audio with examples. (thx, bill)
3quarksdaily has the full-text of Martin Luther King's "I Have a Dream" speech given on August 28, 1963 at the Lincoln Memorial in Wash. DC. Audio of the speech available here. (Also, King's I've Been to the Mountaintop and declaration against the Vietnam War.)
The story of the Hindenburg disaster. Amazingly, 2/3 of the zeppelin's passengers survived the crash. Here's an audio recording of the famous Herbert Morrison radio broadcast ("oh, the humanity") of the disaster.
Starting on Monday, Dec 5th, Ricky Gervais (of The Office and Extras fame) will doing a 12-episode series of podcasts for The Guardian. (thx nicholas)
The sounds of Asia
Since recording the walk signal sounds in Hong Kong, I've been a bit slack in documenting the sounds as I travel around Asia (because frankly the iPod is one more thing I don't want to lug around with me all day). Stuff I've missed:
- Bangkok river taxis are manned by two people, the driver and the guy with the whistle. When the boat nears the dock, the whistle guy -- who stands at the back of the long boat -- sounds a short burst to signal to the driver to cut the engine. Then a few other bursts to help the driver back into the dock in such a way that a gentle reverse keeps the boat close enough to the dock so that passengers can get on and off. A final whistle signals that everyone is on/off and the driver can go. It's a neat system, if a little ear-piercing if you're standing near the back of the boat.
- The cover band at Saigon Saigon, the bar on the 9th floor of the Caravelle Hotel in Saigon. The woman was almost screeching during a rendition of Alanis Morissette's You Learn. (Re: the bar...the view is awesome, but I thought the bar was really cheesy, which is unfortunate for such a great location.)
- When trucks back up here, they don't annoyingly go "beep beep beep" like they do in the US. Instead, they play music; it's like backing-up ring tones. The first one we heard played Happy Birthday, the rear of a delivery truck belted out It's a Small World After All, and there was one yesterday afternoon that played some classical tune I couldn't place.
In lieu of hearing any of those things, check out Quiet American's field recordings from Vietnam. (via np)
Hong Kong walk signal
The streets of Hong Kong can be a hectic place, but one of the first things you notice is that the pedestrian street crossing signals have a very clear audio signal (one would assume, for the blind and/or very nearsighted). Some American signals has audio as well, but very few, they're not very loud, and they generally kind of lacking. Anyway, I made an audio recording of the signals (30 sec, 240 KB mp3). The sound is kind of blown out (it's my first experiment with the iTalk) and the signal doesn't sound that loud IRL, but you get the gist.
Tom Coates fills us in on the Annotatable Audio project he worked on at the BBC. Basically, you select a timed section of an audio file (music, newscast, etc.) and then you write a little something about it, Wikipedia-style.
Casual content creation
Over on the Odeo blog, Ev talks about a potentially different type of podcasting, casual content creation:
But, personally, I'm much more of a casual content creator, especially in this realm. The other night, I sent a two-minute podcast to my girlfriend, who was out of town, and got a seven-second "podcast" back that I now keep on my iPod just because it makes me smile. I sent an "audio memo" to my team a while back for something that was much easier to say than type, and I think they actually listened.
A blogging analogue would be Instapundit or Boing Boing (published, broadcast) versus a private LiveJournal[1] (shared, narrowcast). It's like making a phone call without the expectation of synchronous communication...it's all voicemail. I thought about doing this the other day when I needed to respond to an email with a lengthy reply. In that particular instance, I ended up sending an email instead because it was the type of thing that might have been forwarded to someone else for comment and returned, etc. But I can see myself using audio like this in the future.
[1] Integrated podcasting tools within LiveJournal would be huge, methinks.
Frans de Waal on low frequency audio as a social instrument: "The host, Larry King, would adjust his timbre to that of high-ranking guests, like Mike Wallace or Elizabeth Taylor. Low-ranking guests, on the other hand, would adjust their timbre to that of King. The clearest adjustment to King's voice, indicating lack of confidence, came from former Vice President Dan Quayle." (via mr)
An index of mp3s of old TV theme songs. Would-be DJs take note: a friend of mine was DJing a party back in college and he threw on the Knight Rider theme song and people went bonkers. (via rw)
Update: Sound America also has an extensive collection of TV themes in WAV format. (thx josh)
John Gruber has a great bullet-point roundup of the Apple announcements today...mostly stuff that you won't hear about in the tech press. (If you're living in a shack, Apple announced video iPods, new iTunes, downloadable TV programs, new iMacs, etc. today.)
IT Conversations will be streaming presentations from PopTech 2005 live...Windows Media Player required. :( From Etech to the AIGA Design Conference to Web Essentials 05, more and more conferences letting those of us who can't attend listen in anyway.
The NY Times Magazine has launched The Funny Pages, their comics+ section. PDFs of the comics are available online...here's the first Chris Ware strip. They're also podcasting and the first episode is an interview with Ware by John Hodgman, assisted by organist and radio-man Jonathan Coulton.
Podcast subscriptions through iTunes top 1 million in the first 48 hours. Also, "podcasting is like cappuccino"...read on for the punchline.
Apple has merged their iPod and iPod Photo lines. All iPods will now have color screens.
How to record a podcast using GarageBand. Using GB like this is overkill, but there it is anyway.
iTunes 4.9 now supports podcasting. Boy, podcasting went from zero to corporate in no time flat. Will that pace stunt the growth of indie podcasting before it even has a chance to get started?
Babble obscures conversations in office environments. It takes your phone conversation and makes it sound like the hum of office conversation by layering your voice over itself several times.
Yuri Lane demonstrates his beatbox harmonica technique. Saw this guy today at GEL...fricking great.
Audio from the Who Owns Culture? talk by Lessig, Tweedy, and Johnson now online. Streaming audio or mp3.
Terry Gross interviews The Incredibles director Brad Bird on NPR. "So, what does the director of an animated film actually do?"
