Initial designs show a glass-curtained tube with cutaways spiraling up and around the facade to reveal segments of terraced verdure, like cultivated patches on the side of a steep alpine slope. "We didn't just fill up the tower," the architect says. "We've taken space away [from the apartments] to create the gardens," which are actually balconies tucked within the envelope. "It's as if nature has come back into the city," he says.
For the BOk building, Yamasaki reprised the scheme of a Twin Tower at almost exactly half the scale: 52 stories and 667 feet tall, to the Twin Towers' 110 floors (1,362 and 1,368 feet). It has 31 steel perimeter columns per side, to the Twin Towers' 59, producing the same eye-boggling vertical lines on each face. (As Jean Baudrillard noted of the more famous pair, well before its destruction, it is "blind," with no side presenting a facade.) The BOk, too, has a bilevel lobby, whose height is matched by arched windows. But the arches are big and round, like a child's plain wooden building blocks, rather than the Venetian Gothic ogees that, in the World Trade Center, flowed directly into the perimeter columns.
so you've erected the enormous towers on each side of the deep valley, deeper than any valley previously bridged. how do you get a pilot cable from one tower to the next? previous solutions have included: attaching the cable to a kite and flying it over (e.g. niagara falls suspension bridge), carrying one end by helicopter (e.g. akashi kaikyo bridge) and floating one end on a boat (e.g. brooklyn bridge). the brains behind the siduhe bridge decided to ignore all those options and break another record instead. they attached the 3200ft cables to rockets and accurately fired them over the valley, becoming the first people to do so.
Silver Towers is the first post-war urban renewal superblock development in New York City to be landmarked. While such urban renewal projects rarely receive high marks for design, Silver Towers is considered a watershed moment for one of the late 20th century's most respected and influential architects. The design won awards from the American Institute of Architects and the City Club, was dubbed "one of ten buildings that climax an era" by Fortune Magazine, and was cited as a basis for which Pei received the 1983 Pritzker Prize -- the most prestigious award for architects -- for his body of work up to that time. Landmarking Silver Towers not only helps preserve an eminently livable place and honors a great work of architecture, but it also acknowledges the importance of our city's past efforts to create affordable housing and public art.
These may or may not be great buildings, but that whole complex is just this big sucky void between the Village and Soho that no one can get rid of now. Blech.
It's worth sitting through the annoying "in a world..." narration to see the structure of an immense colony of ants. The scientists poured 10 tons of concrete down into an abandoned ant colony, waited for it to harden, and then spent weeks excavating the results.
During the construction of the giant structure, it's estimated that the ants hauled 40 tons of dirt out of the holes, the equivalent of building the Great Wall of China. (via cyn-c)
On the front, the names of famous Dutch architects form an image of the queen while some Dutch architecture books on the back form an outline of The Netherlands. The design was done using free software running on Ubuntu/Debian. (via design observer)
In the 1960s, the designer of the modern Lego brick formed a new company to make a product for adults called Modulex.
In the early 1960's Godtfred was building a new house and, naturally, he tried to model the structure with Lego bricks. The problem was that the Lego brick, with an aspect ratio of 6:5, was different than standard European construction modules of 1:1. Rather than contend with the problems of using regular Lego bricks he simply had new, special bricks molded for him. Bricks that would allow him to more closely copy his architectural plans.
The Metropolitan Life Tower is located on the east side of Madison Square Park at 1 Madison Avenue. It has quietly become one of my favorite buildings in the city; I find myself peering up at it whenever I'm in the area. (I took a photo of the building while in line at the Shake Shack last spring...it's a lovely color in the late afternoon light.) Inspired by a photo posted recently to Shorpy that shows the tower under construction -- and before the addition of the building's iconic clock -- I did some research and discovered three things.
Two. The NY Times ran a story in December 1907 about the eventual completion of the structure and how it would take over as the world's tallest building, surpassing another then-unfinished building, the Singer Tower. In the era before widely available air travel, the building's vantage point was remarkable.
The view from the top was of a new New York. No other skyscrapers obstructed the vista in either direction. Passing the green roof of the Flatiron Building, the gaze literally spanned the Jersey City Heights and rested on Newark and towns on the Orange Mountains, fifteen miles away.
To the southward the skyscrapers bulked like a range of hills in steel and mortar, the Singer tower rising in the midst, a solitary watch tower on a peak. This hid the harbor, but to the left beyond the bridges, reduced at this height to gray cobwebs, the eye caught the sunlight on the sea -- a long strip of shimmering silver beyond Coney Island and the Rockaways.
Three. Star architect Daniel Libeskind is allegedly working on an addition to the Metropolitan Life Building, an addition that by some accounts would reach 70 stories. You can guess how I feel about the prospect of one of those residential glass monstrosities literally and emotionally dwarfing the existing 50-story clock tower, Libeskind or no. Of course, the Metropolitan Life Tower may never have become so iconic had Metropolitan Life's plans for a 100-story tower one block north not been scrapped because of the Great Depression. They only finished 32 floors of that building, which today houses the celebrated restaurant, Eleven Madison Park.
So the list will not include affronts that are merely aesthetic. To be included, buildings must either exhibit a total disregard for their surrounding context or destroy a beloved vista. Removing them would make room for the spirit to breathe again and open up new imaginative possibilities.
Penn Station, Madison Square Garden, and the Javits Center are deservedly included.
In the last 25 years, the city's population has increased by a million people, and another million will be here 25 years from now. The question is not whether to make room for them but how. We could, in theory, rope off most of Manhattan to new development and push new arrivals to the city's fringes. Had we done that years ago, we would have created a museum of shabbiness. Even doing so now would keep the city in a state of embalmed picturesqueness and let the cost of scarce space climb to even loonier heights than it already has. In its 43-year existence, the Landmarks Preservation Commission has tucked more than 25,000 buildings under its protective wing, which seems about right. Protect every tenement, and eventually millionaires can no longer afford them.
If you can't take all the text, read it Playboy-style...there are over fifty great before-and-after photos of various new buildings around town, just keep scrolling down.
Update:An old version of the New College web site says that the oaks were not planted specifically for the replacement of the ceiling beams even though they were used for that purpose. (thx, emily, david, and phil)
Almost immediately, the building society started receiving correspondence to Sherlock Holmes from all over the world, in such volumes that it appointed a permanent "secretary to Sherlock Holmes" to deal with it. A bronze plaque on the front of Abbey House carries a picture of Holmes and Conan Doyle's narrative detailing Holmes and Watson moving in at 221B.
The museum sits on a twenty-acre reclaimed industrial site directly across the Menomonee River from downtown Milwaukee and has been conceived as an urban factory ready-made for spontaneous motorcycle rallies. The three-building campus includes space for permanent and temporary exhibitions, the company's archives, a restaurant and cafe, and a retail shop, as well as a generous amount of event and waterfront recreational space. The museum's indoor and outdoor components were inspired by the spirit of Harley rallies in towns like Sturgis and Laconia, where thousands of riders congregate every year.
Two bits of news about the High Line and its impending park.
1. Curbed has new renderings of what the park is going to look like. Here's phase 1 (Gansevoort St. to 20th) and phase 2 (21st to 30th). They're calling it a park but from the drawings it seems more like a glorified sidewalk.
Finally, one day last fall, more than a year after they moved in, Mr. Klinsky received a letter in the mail containing a poem that began:
We've taken liberties with Yeats to lead you through a tale that tells of most inspired fates iin hopes to lift the veil.
The letter directed the family to a hidden panel in the front hall that contained a beautifully bound and printed book, Ms. Bensko's opus. The book led them on a scavenger hunt through their own apartment.
And it wasn't an easy hunt either.
In any case, the finale involved, in part, removing decorative door knockers from two hallway panels, which fit together to make a crank, which in turn opened hidden panels in a credenza in the dining room, which displayed multiple keys and keyholes, which, when the correct ones were used, yielded drawers containing acrylic letters and a table-size cloth imprinted with the beginnings of a crossword puzzle, the answers to which led to one of the rectangular panels lining the tiny den, which concealed a chamfered magnetic cube, which could be used to open the 24 remaining panels, revealing, in large type, the poem written by Mr. Klinsky.
Viewed architecturally, these examples of high-tech camping gear -- capable of housing small groups of people on the vertical sides of cliffs, as if bolted into the sky -- begin to look like something dreamed up by Archigram: nomadic, modular, and easy to assemble even in wildly non-urban circumstances. This is tactical gear for the spatial expansion of private leisure.
Atop six stories of parking lots, Antilla's living quarters begin at a lobby with nine elevators, as well as several storage rooms and lounges. Down dual stairways with silver-covered railings is a large ballroom with 80% of its ceiling covered in crystal chandeliers. It features a retractable showcase for pieces of art, a mount of LCD monitors and embedded speakers, as well as stages for entertainment. The hall opens to an indoor/outdoor bar, green rooms, powder rooms and allows access to a nearby "entourage room" for security guards and assistants to relax.
Photos here. In fairness, the place sounds like a combination corporate HQ with an incorporated family living space, but still. Not noted in the article is the expensive laboratory-grade scanning electron microscope that Ambani uses to locate his teensy penis, for which the 27-story house is compensation.
With images by Sabine Haubitz and Stefanie Zoche of Haubitz+Zoche, the show looks at "the concrete skeletons of five-star hotel complexes" abandoned on Egypt's Sinai Peninsula. They are resorts that never quite happened, then, with names like Sultan's Palace and the Magic Life Imperial. This makes them "monuments to failed investment."
At the same time, I don't think the cooks look at me as a real community member. I'm not that cozy paternal figure. I'm always doing different things, and it creates this atmosphere where the cooks are on the balls of their feet. They're thinking, Where's he going next, what's happening next? There's a little bit of confusion. I think that's good. It's hard to articulate, because you think of the kitchen as very organized; and, like I said, the more control you have, the better. But a little bit of chaos creates tension. And that creates energy and passion, and it tends to make you season something the right way or reach for something that would add this, that, or the other thing.
The other chefs are Alice Waters, Grant Achatz, and Wylie Dufresne. The one thing they all talked about is the importance of open sight lines, both between the dining room and kitchen and among the chefs in the kitchen.
Princeton Architectural Press is offering a most unusual publication called Materials Monthly. Each month or so, a small box arrives on your doorstep containing not just a printed magazine about architecturally interesting materials but samples of the materials themselves, including fabric swatches, tiles, wallpaper, glass, and steel. Dan Hill recently received his issue and has a nice review and unboxing.
Benoit Mandelbrot and Paola Antonelli talk about, among other things, fractals, self-similarity in architecture, algorithms that could specify the creation of entire cities, visual mathematics, and generalists.
This has been for me an extraordinary pleasure because it means a certain misuse of Euclid is dead. Now, of course, I think that Euclid is marvelous, he produced one of the masterpieces of the human mind. But it was not meant to be used as a textbook by millions of students century after century. It was meant for a very small community of mathematicians who were describing their works to one another. It's a very complicated, very interesting book which I admire greatly. But to force beginners into a mathematics in this particular style was a decision taken by teachers and forced upon society. I don't feel that Euclid is the way to start learning mathematics. Learning mathematics should begin by learning the geometry of mountains, of humans. In a certain sense, the geometry of...well, of Mother Nature, and also of buildings, of great architecture.
"You've been asking for data," Ebbesen says to me. "Well, we definitely have energy savings: we've had one study that said 25 percent and another that said 40 percent. We pay a lot of attention to the energy model because we want to be efficient, because that leads to less pollution. But that's not where the savings are. The savings are all related to productivity." Navy Federal's wealth (they don't exactly have trouble getting long-term financing) means that Ebbesen could swallow higher up-front costs if it means a longer life span-and indeed this building is designed for a 40-year cycle (generous for its type). But to be conservative he sticks to 30 years for the following calculation: over that time 92 percent of the organ-ization's costs goes to employees, 6 percent go to maintenance and operation, and a mere 2 percent are represented by the initial construction investment. "When I show that on a slide," Ebbesen says, "it's kind of like, 'Duh, now are you paying attention?'"
With their new environmentally friendly buildings, Navy Federal has reduced their annual employee turnover rate from 60% to 17%.
The design is already causing controversy, with critics questioning the wisdom of tinkering with the famous silhouette and spending money on upgrading a tourist attraction which attracts 6.9 million visitors a year.
David Serero, principal of Serero Architects, said in a telephone interview that his firm's proposal was merely a spontaneous design it had submitted to the Eiffel Tower management group in view of the tower's approaching 120th anniversary and, he said, was neither a response to a design competition nor solicited by the tower's management.
Nearly 500 Jewish architects were working in Germany before 1933; today the fate of most of them is unknown. Following is a look at 43 of these architects whose groundbreaking work is sadly forgotten.
This implies that it should be easy and painless to get from one point to another in the building; it should even promote chance meetings of people. A formal call by Mr. X on Mr. Y is the only way X and Y can develop such a tender thing as an idea -- the social scientists have taught me to use X and Y in that bawdy manner. If the interoffice distances are to be kept reasonable, the building must be compact. It need not be circular; a square is often a good substitute for a circle, and even a rectangle is not bad, if the aspect ratio does not get out of hand.
I was the first person from the group of journalists to arrive, giving me plenty of time to look around the lobby, which is actually a gigantic football-field length atrium, the centerpiece of the entire building.
As it was explained to me later, Steve Jobs originally proposed a building with one bathroom, something that would drive foot traffic to a central area all day long. Obviously, they've got more than one bathroom in the building, but just standing there and watching as everyone arrived to start their day, it was obvious that Jobs had managed the feat.
The mailboxes, the employee cafe, and the common room where all the games are all open into that atrium, and people lingered, talking, exchanging ideas and discussing the various projects they're working on. It seemed like a fertile, creative environment, and I felt like Charlie Bucket holding a golden ticket as I examined the larger-than-life Incredibles statues in the center of the atrium and the concept paintings hung on the walls.
Build your own Apple Store. Oobject tracked down the materials, furniture, fixtures, and finishes used in the Apple Stores, giving anyone enough information to turn their living room into one.
White House Redux is a contest to design a new residence for the President of the United States. First prize is $5000 and a free trip to NYC. A fine jury too. (via bldgblog)
BLDGBLOG has a fantastic post on the interconnected mountain fortifications used by the Austrians and Italians in World War One. If you thought the Maginot Line was insane, wait until you see this. Geoff Manaugh's write-up is as smart as the mountain trenches were crazy:
...the idea of the Alps being riddled with manmade caves and passages, with bunkers and tunnels, bristling with military architecture, even self-connected peak to peak by fortified bridges, the Great Moutain Wall of Northern Italy, architecture literally become mountainous, piled higher and higher upon itself forming new artificial peaks looking down on the fields and cities of Europe, that just fascinates me—not to mention the idea that you could travel up, and thus go futher into history, discovering that the past has been buried above you, the geography of time topologically inverted.
1850: Baron Haussmann and engineer Eugene Belgrand design the modern Paris sewer system.The sewers are regularly cleaned using large wooden spheres just smaller than the system's tubular tunnels. The buildup of water pressure behind the balls forces them through the tunnel network until they emerge somewhere downstream pushing a mass of filthy sludge.
In a short post yesterday about where writers do their business, I mentioned that Witold Rybczynski had written about the writing room of a famous author that was purposely set away from the rest of his house. I grabbed my copy of The Most Beautiful House in the World off the shelf just now and found that I'd turned down the page containing the relevant passage back when I read the book a few years ago. The author I was thinking of was George Bernard Shaw; here is Rybczynski's description of his writing room:
But Shaw too was a builder, and the writing room that he erected in his garden was a Shavian combination of simplicity, convenience, and novelty. He called it "the Shelter," but it was really a shed, only eight feet square. It contained the essentials of the writer's trade -- a plank desk, an electric lamp, a wicker chair, a bookcase, and a wastepaper basket. Beside the desk was a shelf for his Remington portable -- like [Samuel] Clemens, Shaw was an early amateur of the typewriter. There was also a telephone (modified to refuse incoming calls), a thermometer, and an alarm clock (to remind him when it was time for lunch).
Shaw's writing hut had one other curious feature: the entire building was mounted on a pipe so that it could be rotated to take advantage of the sun's warmth at different times of the day. But the tiny building was so loaded down with books and furniture that the feature was probably never used. Pictures and more on Shaw's writing hut at BBC News, the National Trust, and Cool Tools.
Rybczynski also mentions that Samuel Clemens wrote most often in a hilltop gazebo he'd constructed for that purpose away from his luxurious house..
The Guardian has an extensive list of writers and the rooms in which they write (with photos and descriptions by the authors). For whatever reason, I became very interested in writers' rooms after reading Witold Rybczynski's The Most Beautiful House in the World, in which he describes several rooms built by writers specifically for working in, including one author who built a completely separate room apart from his house which combined his need for solitude with a short commute. (thx, youngna)
Meant to post about this last week, but going on right now in NYC: Postopolis. "Postopolis! is a five-day event of near-continuous conversation about architecture, urbanism, landscape, and design. Four bloggers, from four different cities, will host a series of live discussions, interviews, slideshows, panels, talks, and other presentations, and fuse the informal energy and interdisciplinary approach of the architectural blogosphere with the immediacy of face to face interaction." More about the event from City of Sound and BLDGBLOG.
Here are some updates on some of the topics, links, ideas, posts, people, etc. that have appeared on kottke.org recently (previous installment is here):
My short post on Nina Planck's reaction to the recent "death by veganism", as she calls it, of a baby boy is a good reminder that I don't always agree with the things I link to. My only criteria for posting a link is that it's interesting, whether I think it's right or wrong or am still trying to form an opinion about it. Anyway, I got lots of mail about this one, much of it that said that the parents' veganism was beside the point -- which the prosecutors and jury in the subsequent criminal case agreed with (thx, matt) -- and that a headline like "Death By Stupidity" was probably more appropriate. After all, you don't see "Death by Omnivorism" headlines every time a baby with a more traditional diet dies of starvation.
Debra from Culiblog pointed out that contrary to Planck's assertion that "there are no vegan societies", the Jainists practice vegetarianism and veganism. On the other side of the aisle, meat fan Michael Ruhlman chastised Planck for going too easy on vegans, saying that "Veganism is a colossal arrogance, a refusal to admit to our own nature, a denial of our humanity. Sometimes it kills people. And it's not very much fun, besides." You can imagine the discussion that generated...although it was nothing like the 300+ comment thread on MetaFilter.
My opinion of Cars improved with a second viewing.
jkottke: Do you do anything to celebrate or recognize the changing of seasons? ELLEgirlBuddy: do you do anything to celebrate or recognize the changing of seasons? that's a tough choice. jkottke: yes, to celebrate or merely recognize. that is a toughie. ELLEgirlBuddy: yes to celebrate or merely recognize that is a toughie? i dunno. jkottke: you seem like an actual 13 year old girl. ELLEgirlBuddy: i haven't really made a decision 'bout that. jkottke: growing up is tough, isn't it? ELLEgirlBuddy: i dunno.
Are you a good liar? Most people think that they are, but in reality there are big differences in how well we can pull the wool over the eyes of others. There is a very simple test that can help determine your ability to lie. Using the first finger of your dominant hand, draw a capital letter Q on your forehead.
Some people draw the letter Q in such a way that they themselves can read it. That is, they place the tail of the Q on the right-hand side of their forehead. Other people draw the letter in a way that can be read by someone facing them, with the tail of the Q on the left side of their forehead. This quick test provides a rough measure of a concept known as "self-monitoring". High self-monitors tend to draw the letter Q in a way in which it could be seen by someone facing them. Low self-monitors tend to draw the letter Q in a way in which it could be read by themselves.
High self-monitors tend to be concerned with how other people see them. They are happy being the centre of attention, can easily adapt their behaviour to suit the situation in which they find themselves, and are skilled at manipulating the way in which others see them. As a result, they tend to be good at lying. In contrast, low self-monitors come across as being the "same person" in different situations. Their behaviour is guided more by their inner feelings and values, and they are less aware of their impact on those around them. They also tend to lie less in life, and so not be so skilled at deceit.
The BLDGBLOG book will likely be as interesting as the BLDGBLOG blog. Topics will include "plate tectonics and J.G. Ballard to geomagnetic harddrives and undiscovered New York bedrooms, by way of offshore oil derricks, airborne utopias, wind power, inflatable cathedrals, statue disease, science fiction and the city, pedestrianization schemes, architecture and the near-death experience, Scottish archaeology, green roofs..."
Map of the cracks in the Guggenheim's facade. "Since the Guggenheim Museum opened in 1959, Frank Lloyd Wright's massive spiral facade has been showing signs of cracking, mainly from seasonal temperature fluctuations that cause the concrete walls, built without expansion joints, to contract and expand."
The McMansion page on Wikipedia is surprisingly detailed. Other terms for a McMansion include Faux Chateau, Frankenhouse, Starter Castle, and Parachute Home. The Lawyer Foyer refers to "the two-story entry space typically found on many McMansions which is meant to be visually overwhelming but which contributes little to the useful space of the house".
For the past five years, artist Jackie Sumell has been helping Herman Wallace, who has been in solitary confinement at the Louisiana State Penitentiary for the last 34 years, design his dream house, a house that will probably never be built. "Traces of a prison mindset crop up. When the placement of his computer meant his back would face the office door, Ms. Sumell said that he asked that a mirror be installed above, so he could see anyone entering the room. A sense of security is important to him, she explained. The master bedroom sits safely above the very center of the house. A wraparound porch adds a layer of perimeter, as does the surrounding garden. There is even a special door leading to an underground bunker, equipped with its own water supply." A book on the project is available for a $20 donation and this PDF gives a good overview of the project.
BLDGBLOG is teaming up with Materials & Applications to curate an architectural film festival. "The obvious caveat is that your film has to be about architecture, landscape, and/or the built environment - or, at least, it has to involve architecture, landscape, and/or the built environment, and in a way that isn't just backdrop. Even more specifically, we'd love to show a whole bunch of architectural machinima, site animations, project fly-throughs, or other cinematic spaces." Entry deadline in April 6.
Photography of Tin Tabernacles and Other Buildings by Alasdair Ogilvie. "Largely unnoticed and ignored, corrugated iron buildings can be discovered scattered across Britain and the Empire. [...] With not existing infrastructures, these newly created communities had an urgent need for churches, chapels and schools. Corrugated iron buildings fulfilled this demand." More photos at Ogilvie's site.
Pruned takes us on a short tour of grain elevators. Wonderful old industrial buildings...the small town I grew up in had a huge grain elevator rising from the center of town, like a skyscraper in a cornfield.
In 1965, the Washburn A mill, the last operating flour mill in Minneapolis, became also the last flour mill to close its doors, having been preceded by an entire industry that, at one time, produced more flour than any other place in the U.S. The closure came when the mill's operating company, General Mills, moved its headquarters to Golden Valley, where real estate was plentiful and inexpensive. The area around St. Anthony Falls, the geological feature responsible for the beginnings of industry in the area, had long since fallen into general disrepair and it wasn't long before the Washburn A was deserted and inhabited by the homeless.
The area started to show signs of life again in the 70s and 80s after being added to the National Register of Historic Places in 1971. Old mill buildings were converted for non-industrial business and residential use as people began to recognize the unique character and history of the area around the falls. In 1991, the Washburn A building burned and part of its structure collapsed, but firefighters saved the rest of the historic building from destruction. The remnants of the building and the adjacent grain elevators remained empty for years afterwards, save for the occasional graffiti artist and urban spelunker.
I knew very little of this when I moved to the Twin Cities in 1996 and not much more when I left Minneapolis for San Francisco in 2000. Almost every weekday for two years I drove or pedaled past the shell of the Washburn A mill on the way to and from work on Washington Avenue in the warehouse district, where we manufactured web pages to fill a growing online space. Topped by the Gold Medal Flour sign, the mill became my favorite building in the Twin Cities, leading me to include it in The Minneapolis Sign Project I did for 0sil8 shortly before I left for the West Coast.
It seemed the perfect symbol of a time and industry long past, broken down but not entirely wiped away. I returned to visit Minneapolis occasionally and would drive past the Falls, wondering what would happen to my building, hoping against hope that they wouldn't eventually tear it down. With the structure in such bad shape, demolition seemed to be the only option.
Last week, Meg and I spent a day in Minneapolis on our way to visit my parents in Wisconsin, my first stay in Mpls since mid-2002. Meg wanted to investigate running trails and I wanted to sneak a peek at the Gold Medal Flour Building (as I had taken to calling it), so we walked the three blocks to the river from our hotel, housed in the former Milwaukee Depot. The Gold Medal Flour sign was visible from several blocks away, so I knew they hadn't torn down the grain elevators, but it wasn't until I saw the shell of the Washburn A building peeking out around one of the other mill buildings that I knew it had been spared as well. As more of the building came into view, I saw a glass elevator rising from the ruins, backed by a glass facade.
What the??!?
Now practically running along the river in excitement and bewilderment, dragging poor Meg along with me in a preview of her jog the next morning, I saw a wooden boardwalk in front of the building and headed for what looked like the entrance. The burned out windows and broken glass remained; except for the elevator and the 8-story glass building sticking out the top, it looked much the same as it had after burning in 1991. I scrambled through the entrance and, lo, the Mill City Museum.
And what a museum. It was just closing when we got there, but we returned the next morning for a full tour of the museum and the Mill Ruins Park. The highlight of the museum is an elevator tour of the mill as it was back in the early 20th century. They load 30 people at a time into a giant freight elevator, which takes the group up to the 8th floor of the museum, stopping at floors along the way to view and hear scenes from the mills workings, narrated by former mill workers. After the elevator tour, you're directed to an outdoor deck on the 9th floor, where you can view the shell of the mill building, St. Anthony Falls, the Stone Arch Bridge, the Gold Medal Flour sign, and the rest of the historic area.
A creative adaptive reuse of an extant shell of a mill building, with contrasting insertion of contemporary materials, weaving the old and the new into a seamless whole...A complex and intriguing social and regional story that reveals itself as the visitor progresses through the spaces. It is museum as a verb...A gutsy, crystalline, glowing courtyard for a reemerging waterfront district that attracts young and old and has stimulated adjacent development.
I still can't quite believe they turned my favorite Minneapolis building (of all buildings) into a museum....and that it was done so well. More than anything, I'm happy and relieved that the Gold Medal Flour Building will always be there when I go back to visit. If you're ever in Minneapolis, do yourself a favor and check it out.
Jane Jacobs revisited. "The mistake made by Jacobs's detractors and acolytes alike is to regard her as a champion of stasis -- to believe she was advocating the world's cities be built as simulacra of the West Village circa 1960."
Photographer Michael Wolf, he of the Architecture of Density photos of Hong Kong, has a new project called 100x100, which is a series of photographs "of residents in their flats in hong kong's oldest public housing estate". Each of the apartments is only 100 square feet in size so the photos show a wide variety of dense living spaces.
The activists of Ms. Jacobs's generation may have saved SoHo from Mr. Moses' bulldozers, but they could not stop it from becoming an open-air mall. The old buildings are still there, the streets are once again paved in cobblestone, but the rich mix of manufacturers, artists and gallery owners has been replaced by homogenous crowds of lemming-like shoppers. Nothing is produced there any more. It is a corner of the city that is nearly as soulless, in its way, as the superblocks that Ms. Jacobs so reviled.
But I have a hard time believing -- as Mr. Ouroussoff does -- that:
...on an urban island packed with visual noise, the plaza at Lincoln Center -- or even at the old World Trade Center -- can be a welcome contrast in scale, a moment of haunting silence amid the chaos. Similarly, the shimmering glass towers that frame lower Park Avenue are awe-inspiring precisely because they offer a sharp contrast to the quiet tree-lined streets of the Upper East Side.
Surely we can devise better ways of introducing contrasts in scale into our cities than building Lincoln Centers.
Ouroussoff's article includes a companion audio slideshow of him talking about Jacobs and also of West Village residents sharing their views on their neighborhood that Jacbos lived in and wrote about long ago.
Among the many things New York is famous for is the tiny apartments of its inhabitants. Our first apartment here was about 400 square feet and somehow the people who lived downstairs from us in an apartment with the same footprint fit two people and two pitbull-type dogs into that space. In a recently released book, Apartment Therapy's Maxwell Gillingham-Ryan reveals that he and his wife live in a 250 square foot apartment in the West Village.
Having such small apartments, city residents want to make the most of the space that they have. In designing a loft apartment for his son, architect Kyu Sung Woo came up with an interesting solution to the space problem...he fit two stories into a one-story apartment. The result is The Interlocking Puzzle Loft, a surprisingly spacious two-bedroom palace crammed into 700 square feet.
As shown and described in this article from Dwell, the key element in the loft is the half-height bedroom above the kitchen and the bedroom's walkway positioned above the short downstairs hall closet and back kitchen counter, which allows the apartment's inhabitants to stand up in the bedroom. Pretty genius idea.
Modernist prefab houses are all the rage these days. "Designed by architects, constructed in factories and trucked to their sites, these houses had the look the couple wanted, at a lower price." The Dwell House had a lot to do with current interest is modern prefab housing.
Profile of architect Renzo Piano. "People are starting to understand that the real challenge of the next 30 years is to turn peripheries [i.e. suburbs] into cities. The peripheries are the cities that will be. Or not. Or will never be."
Just looking at the Grand Canyon Skywalk (more info here) makes me go all queasy. 70 feet out from the edge of the cliff and 4000 feet down? No thanks! Genius idea though.
My favorite Hong Kong skyscraper is the HSBC Building. Designed by Norman Foster, it's the building that every architecture geek friend of yours tells you to check out while you're in Hong Kong. Initially, I thought yeah, yeah, how great can it be, it looks kinda like every other modern steel and glass building, and then we went inside and rode the escalator up through the glass ceiling and into a huge atrium. Pretty cool. And then I saw the building from the side and also at night when the side stairwells are lit up with alternating red and white lighted patterns, and I really started to appreciate why it's such a revered building; the Chinese even believe it's got some of the best Feng Shui in HK.
